Soho Think Tank’s Ice Factory 04 Presents

Deep Ellum Ensemble

At the Ohio Theatre, NYC August 4 – 7, 2004

DOCTOR TEDROW’S LAST BREATH

Text, Lyrics and Direction by MATTHEW EARNEST

Score and Musical Direction by JOSEPH TRÔSKI

www.deepellum.org

www.sohothinktank.org

 

Choreography TINA FEHLANDT

Sets SCOTT OSBORNE

Lighting SEVERN CLAY

Costumes PATRICK JOHNSON

Press KAREN GRECO ENTERTAINMENT

Cast

Trae Hicks – Doctor Thaddeus E. Tedrow

Shawn Parr – Fug

Helen Pickett – Charity Ellen Tedrow

Mark Farr – Elmer Cohen/Rev. Caleb Tedrow

Jennifer Vega – The Pretty Girl

And (as the chorus of citizens)

Lynne Marie Guglielmi – John Moletress

Kenya Sollas – Daniel Spiotta – Alie Twyford

Who would imagine that an allegory drawn from the worst natural disaster to strike the United States to date, "The Great Storm" of 1900 that destroyed Galveston, Texas, could be an inspirational theatrical experience? By putting a handful of human faces to the 8000 or so victims of the tragedy, DOCTOR TEDROW’S LAST BREATH translates as a story of tenacity and turmoil.

Perhaps the most engrossing elements of this play were the finely crafted musical numbers. The haunting tunes added a layer to this work that enabled it to transcend beyond mere historical adaptation. I suppose this is not surprising, given that the press release for DOCTOR TEDROW’S LAST BREATH reports that deep ellum ensemble, "Drawing inspiration from letters, oral documents, and photographs… and on their own experiences during and after… September 2001… has crafted a multi-disciplinary allegory about the human response to devastating tragedy." Yes, they have.

That modern companies, when approaching source material like the Galveston Hurricane, will draw from more recent tragedies like September 11, has already become standard. THE TRIANGLE FACTORY FIRE PROJECT, for one, is a notable example of this. DOCTOR TEDROW’S LAST BREATH, comparable to TRIANGLE on many levels, works for the same reasons. The story of 8000 dead in Galveston has been narrowed to the tale of one weatherman named Dr. Thaddeus E. Tedrow. His tale is singular, but he is representative of the victims of the disaster that he succumbed to. A singular tale makes it personal. Personal tales, well played make us feel, and help us relate.

I hope deep ellum ensemble returns to New York with a longer run of DOCTOR TEDROW’S LAST BREATH. The ensemble represents ambitious theatricality with a conscience and a purpose. These days, that’s a lot.

- Kessa De Santis -

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